June 29, 2013 § Leave a comment
“The pale stars were sliding into their places. The whispering of the leaves was almost hushed. All about them it was still and shadowy and sweet. It was that wonderful moment when, for lack of a visible horizon, the not yet darkened world seems infinitely greater—a moment when anything can happen, anything be believed in.” – Olivia Howard Dunbar
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“Now stir the fire, and close the shutters fast,
Let fall the curtains, wheel the sofa round,
And, while the bubbling and loud hissing urn
Throws up a steamy column and the cups
That cheer but not inebriate, wait on each,
So let us welcome peaceful ev’ning in.” – William Cowper
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“Now the evening’s at its noon, its meridian. The outgoing tide has simmered down, and there’s a lull-like the calm in the eye of a hurricane – before the reverse tide starts to set in.
The last acts of the three-act plays are now on, and the after-theater eating places are beginning to fill up with early comers; Danny’s and Lindy’s – yes, and Horn & Hardart too. Everybody has got where they wanted to go – and that was out somewhere. Now everybody will want to get back where they came from – and that’s home somewhere. Or as the coffee-grinder radio, always on the beam, put it at about this point: ‘New York, New York, it’s a helluva town, The Bronx is up, the Battery’s down, And the people ride around in a hole in the ground.
Now the incoming tide rolls in; the hours abruptly switch back to single digits again, and it’s a little like the time you put your watch back on entering a different time zone. Now the buses knock off and the subway expresses turn into locals and the locals space themselves far apart; and as Johnny Carson’s face hits millions of screens all at one and the same time, the incoming tide reaches its crest and pounds against the shore. There’s a sudden splurge, a slew of taxis arriving at the hotel entrance one by one as regularly as though they were on a conveyor belt, emptying out and then going away again.
Then this too dies down, and a deep still sets in. It’s an around-the-clock town, but this is the stretch; from now until the garbage-grinding trucks come along and tear the dawn to shreds, it gets as quiet as it’s ever going to get.
This is the deep of the night, the dregs, the sediment at the bottom of the coffee cup. The blue hours; when guys’ nerves get tauter and women’s fears get greater. Now guys and girls make love, or kill each other or sometimes both. And as the windows on the ‘Late Show’ title silhouette light up one by one, the real ones all around go dark. And from now on the silence is broken only by the occasional forlorn hoot of a bogged-down drunk or the gutted-cat squeal of a too sharply swerved axle coming around a turn. Or as Billy Daniels sang it in Golden Boy: While the city sleeps, And the streets are clear, There’s a life that’s happening here…” – Cornell Woolrich
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“Soon they were all sitting on the rocky ledge, which was still warm, watching the sun go down into the lake. It was the most beautiful evening, with the lake as blue as a cornflower and the sky flecked with rosy clouds. They held their hard-boiled eggs in one hand and a piece of bread and butter in the other, munching happily. There was a dish of salt for everyone to dip their eggs into.
‘I don’t know why, but the meals we have on picnics always taste so much nicer than the ones we have indoors,’ said George.” – Enid Blyton
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